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Entries in photography (13)

Friday
Dec022011

You can leave your compact camera at home. iPhone 4s is that good.

Just went on a couple of trips, and all I had with me for pictures was my iPhone 4s and I did not miss having a stand alone camera.  My daughter had her Nikon S8200 compact with her, and for outdoor shots my iPhone was it’s equal.

Check out the iPhone 4s gallery here, or click on the picture above.

Thursday
Dec092010

Best cameras for 2010 holidays, or because you must have it.

Buy the best cameras at the best prices for Christmas 2010. Here are PhotoRadar’s top recommendations for the best cameras at all skill levels and budgets.

It’s hard to find this kind of thorough list in any US publication.  I have long been a fan of British hobby magazines because they seem to cover products in much greater detail.  Photo magazines, Home Theatre, they are not shy in telling you a product sucks.  Giving ratings to products in American magzines seems tough to find.  I think they are afraid of offending the few advertisers that are left.  Print magazines seem to be getting a lot thinner these days without all the ads.

These prices are in listed in UK pounds, but if you do the conversion to US dollars, you’ll find that they are less expensive here in the US.

Have a good time shopping, and if you need a great place to buy these in the US, I would recommend OneCall in Washington state.  I have been buying from them for over 12 years and have never gotten better deals or better service.  Oh, and you would be supporting this site since I’m also an affiliate.  Try them and you won’t be disappointed.

Wednesday
Apr082009

Tokina 12-24mm lens tested

The Tokina AT-X Pro SD 12-24mm F4 (IF) DX is a lens that could easily be overlooked by buyers considering a wideangle zoom, simply because of its more limited angle of view compared to most similar lenses on the market. But perhaps because of its more modest aspirations, it comprehensively outperforms the other third party APS-C wideangle zooms we’ve tested recently, i.e. the Sigma 10-20mm F4-5.6 EX DC HSM and the Tamron 10-24mm F3.5-4.5 Di-II. It’s simply a much sharper lens, especially wide open, delivering consistently good results at almost all settings; it also scores well with respect to its distortion and falloff characteristics. These characteristics, coupled with the constant F4 maximum aperture, makes it much better suited to shooting interiors or in low light than similar lenses (with the exception of Tokina’s own 11-16mm F2.8), adding to its overall versatility. This from an extremely solid, well-built lens which feels like it would shrug off knocks capable of breaking less rugged designs, and which also has excellent operational characteristics; the zoom and focus rings are impressively smooth, and the focus clutch system is one of the better-implemented of its kind.

Click to read more ...

Wednesday
Apr012009

digital camera resource page reviews the panasonic lumix DMC-ZS3/TZ7

From DCRP:

It’s no secret that I really liked last year’s Panasonic Lumix DMC-TZ5. Its replacement — the Lumix DMC-ZS3 (also known as the TZ7) — is even better, in most respects. I love the new lens and its very versatile focal range, and the Intelligent Auto Mode and face detection functions have been nicely enhanced. And that’s on top of the amazing 3-inch LCD, easy-to-use interface, and snappy performance that the ZS3 inherited from the TZ5. While I like the ZS3’s ability to record longer movies than its predecessor, the new ADCHD Lite codec is a pain to work with. The ZS3 is also in desperate need of some manual controls — I was really hoping they’d appear on this model, but no luck. Despite these and a few other shortcomings, the DMC-ZS3 remains an excellent travel camera, and one that I can highly recommend.

The Lumix DMC-ZS3 is a compact ultra zoom camera made mostly of metal. Construction is solid in most areas, save for the somewhat flimsy door over the memory card/battery compartment. Controls are well-placed (though it’s pretty easy to block the AF-assist lamp), and you don’t need to read the manual to get started with the camera (though it certainly wouldn’t hurt). The ZS3 is available in silver, black, blue, and red. The lens on the DMC-TZ5 was nice, but the one on the ZS3 is even better. Panasonic and Leica have produced a 12X, 25 - 300 mm lens with excellent sharpness and minimal barrel distortion. Sure, it could be a little faster at the wide-angle end of things, but that’s the trade-off for having a big zoom in a small package. Inside the lens is Panasonic’s excellent optical image stabilization system, which reduces the risk of blurry photos and smoothes out your video recordings. The LCD on the back of the camera hasn’t changed since the TZ5, and I honestly don’t know what Panasonic could’ve done to improve it. The screen is easily the best you’ll find on a compact camera, with excellent sharpness (thanks to its 460,000 pixels), stunning outdoor visibility, and automatic brightness adjustment. As with all cameras in its class, the DMC-ZS3 lacks an optical viewfinder.

Click to read more ...

Tuesday
Mar312009

Olympus intros the E-450, the 'improved' e-420

Olympus today introduced the E-450 which, as you might’ve guessed, is just a tweaked E-420. Here’s a rundown of all the specs on this compact, entry-level digital SLR:

  • 10 Megapixel Live MOS sensor
  • Supports all FourThirds lenses with 2X focal length conversion ratio
  • Compact body (by D-SLR standards)
  • 2.7” HyperCrystal II LCD display (230k pixels) has improved contrast and viewing angle
  • Live view with contrast detect AF (with select lenses) and face detection; Perfect Shot Preview feature lets you compare the effects of different exposure compensation or white balance settings in real time
  • Optical viewfinder has 95% coverage and 0.92X magnification
  • Supersonic Wave Filter dust reduction system
  • Full manual controls; ISO range of 100 - 1600; white balance can be set by color temperature and fine-tuned
  • Plenty of scene modes, plus three Art Filters (pop art, soft focus, and pin hole)
  • Continuous shooting at 3.5 frames/second
  • Built-in wireless flash support
  • CompactFlash + xD Picture Card slots
  • Uses BLS-1 lithium-ion battery; 500 shots per charge
  • Includes the F3.5-5.6, 14 - 42 mm and F4.0-5.6, 40 - 150 mm lenses
  • Priced at $699; will be sold exclusively through QVC starting May 9th. Widespread availability in July.

Hit the read more for the full press release from Olympus

Click to read more ...

Thursday
Mar262009

Canon EOS 500D (Digital Rebel T1i / Kiss X3 Digital) Preview

Just 14 months after the launch of the EOS Rebel XSi (450D), Canon has unveiled its successor, the Rebel T1i (500D). It’s the fifth generation of Rebel and enters the market at a difficult time - in the midst of a global economic downturn and against the fiercest competition we’ve ever seen in the entry-level DSLR sector. So what has Canon done to make this latest model in the longest-established family in the sector live up to the edgy and exciting image implied by its US naming?


The 500D/T1i doesn’t quite have to be the everyman camera that its predecessors were. The introduction of the Rebel XS (1000D) in June 2008 means the T1i no longer has to appeal to everybody who doesn’t want to stretch to buying into the 50D class. As a result, the 450D was able to bulk up its feature set to include a selection of features that price-conscious shoppers don’t necessarily realize they want, such as a larger viewfinder and spot metering. The result was probably the most complete Rebel we’d seen.

There’s a full explanation of the differences between the 500D/T1i and it predecessor on the coming pages but, in general terms, it’s a gentle re-working of the 450D. So you get the 15MP sensor much like the one that appears in the 50D, helping this to become the first entry-level DSLR to feature video (and 1080p HD video at that). You also get the lovely 920,000 dot VGA monitor that has been slowly working its way down most manufacturer’s DSLR line-ups. There are a handful of other specification tweaks that come from the use of the latest Digic 4 processor but essentially this is most of a 50D stuffed into the familiar 450D body.

And, if the loss of the letter ‘X’ from the US name seems a bit disconcerting, you can comfort yourself with the knowledge that the Japanese market will still know it by the odd-to-European-ears ‘Kiss X3 Digital.’ For simplicity’s sake, we’ll refer to the 500D/T1i/Kiss X3 by the name 500D throughout the rest of the preview.

For the full preview, hit the source link below.

source: dpreview

Friday
Mar202009

Just Posted: Nikon AF-S DX 35mm F1.8 review

dpreview.com has released its review of the AF-S DX Nikkor 35mm F1.8 G. Nikon caught everyone a little off-guard with the introduction of exactly the sort of cheap, fast standard prime lens for APS-C that most people had given up asking for. We’ve subjected it to our extensive tests to see whether it deserves a place in every Nikon-owning enthusiast’s bag or if the attraction ends at the price tag.

The AF-S Nikkor 35mm F1.8G DX is a lens which certainly caused a degree of dismay on its release, with many Nikon fans disappointed by the decision to make it compatible with the DX format only. However the main benefit of that decision is plain for all to see - even at its introductory price the lens costs rather less than the venerable AF-Nikkor 35mm F2.0D, despite the addition of an AF-S motor to allow autofocusing on Nikon’s entry-level D40 / D40X / D60 bodies. It’s also less than half the price of the few other DX format standard primes currently on the market (such as the Pentax 35mm F2.8 Macro, Tokina 35mm F2.8 Macro and Sigma 30mm F1.4 EX DC HSM), so Nikon has managed with this lens to produce the first genuinely inexpensive (sub-$200) fast standard prime designed specifically for digital SLRs.

Within this context, the lens’s performance is very impressive. It produces finely detailed images at all apertures (although with somewhat low contrast wide open), focuses quickly and accurately, and handles well in a small, light package. In particular, it’s much sharper than typical DX standard zooms such as the Nikon AF-S 18-55mm F3.5-5.6 DX VR or Nikon AF-S 18-200mm F3.5-5.6 DX VR. The fast maximum aperture allows pictures to be taken hand-held in low light levels, while maintaining relatively fast shutter speeds to avoid blur from subject motion (a key advantage over image-stabilised, but slow, kit zooms when photographing people without flash indoors). The slightly less tangible aspects of image quality - such as resistance to flare, and the rendition of out-of-focus regions of the frame - are also dealt with nicely.

If the lens has one major flaw, it is a certain propensity to show chromatic aberration, of both the lateral kind (which can be corrected by the in-camera JPEG processing of the D90 and D300), and the longitudinal (which cannot). To be fair the latter is a pretty well unavoidable with a fast prime, but the 35mm F1.8G DX suffers from it to a rather high degree, and in particular can give some unpleasant purple fringing effects if you’re not careful.

Overall, though, it seems almost churlish to complain about these flaws in a lens so inexpensive, which gives otherwise such fine results. It’s good to see Nikon finally addressing the lack of purpose-designed, inexpensive fast primes for DX format DSLRs, and we hope they - and other companies - continue with this trend. As it is the 35mm F1.8G DX is, for its winning combination of high image quality, large maximum aperture and low price, a lens which deserves to be on many a Nikon shooter’s shopping list.

source[dpreview]

 

Thursday
Mar192009

Mamiya announces DL33 for when you need more than 28 megapixels

Facing a little bit of competition from the hands of Nikon, and finding its earlier 28 megapixel D28 to be something of a success (despite its $15,000 price tag), medium format master Mamiya is introducing a new model set to drive the megapixel wars to new heights. The DL33 sports similar specs to the DL28, including a 3.5-inch touchscreen on the back, but bests its successor with a 36 x 44-millimeter, 33 megapixel sensor. That means 16-bit capture, 12-stop dynamic range, and ISO settings from 50 to 800.

Other tweaks include a faster autofocus motor and an improved UI, but with image files clocking in at 67 - 190MB you’ll probably need some improved storage, too. The camera will be available starting next month for $19,999 including a 55mm f2.8 or 150mm f3.5 lens — but only if you act now.

source[engadget]

Monday
Mar162009

Canon PowerShot SX200 IS Review

Digital Camera Resource just completed a thorough review of the new camera:

“The Canon PowerShot SX200 IS is a very capable and compact ultra zoom camera. It offers very good photo quality, a 28 - 336 mm lens, a nice combination of automatic and manual controls, a large LCD, and a HD movie mode. It’s not perfect though; it has a weak, slow-to-charge flash, battery life is below average, and you can’t zoom while recording a movie mode. Despite that, the PowerShot SX200 is a good choice for a travel camera, and it earns my recommendation.

It’s pretty obvious from the design of the PowerShot SX200 what camera it’s going after: the Panasonic Lumix DMC-TZ5. The SX200 has a compact body (by ultra zoom standards, at least), made almost entirely of metal. The camera is a bit unusual in that its flash pops up automatically when the camera is turned on, not closing until it’s powered off. Thankfully, Canon designed the SX200 in such a way that the flash doesn’t block your fingers, so it’s easy to hold the camera. The flash is quite weak, however. Canon didn’t go overboard with controls, either — you can figure out the SX200 without having to read the manual first. The highlight of the camera is probably its F3.4-5.3, 12X optical zoom lens. The range of the lens is 28 - 336 mm, which should cover nearly any shooting situation that may come up in your travels. The SX200 has Canon’s optical image stabilization system, which effectively reduces blur in still photos, and “shake” in your videos. On the back of the camera is a sharp 3-inch LCD display, with very good outdoor and low light visibility. Like all of the compact ultra zooms, the SX200 does not have an optical or electronic viewfinder.”

For the complete review, hit the source link below.

source[dcresource]

Thursday
Mar122009

Dpreview has E-620 Preview Samples Gallery

Today dpreview has posted the first samples from the new Olympus E-620.

“Our preview sample gallery from the Olympus E-620. London can be quite gray at this time of year, so we thought we’d capitalize on our time in the US by putting together a sample gallery with a final production version of the new upper entry-level DSLR from Olympus. We’ve included a mixture of ISO settings and a couple of shots using the camera’s Pin Hole art filter.

All shots taken with the Zuiko Digital 12-60mm F2.8 - F4 (there’ll be shots taken with the kit lens when we publish our review), with noise filter ‘high’ and gradation set to auto, unless otherwise specified. All variations from default settings are marked in the notes field.”

source[dpreview]